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Literature
Criticism & Theory
Critical Writing & the Writing Process
- Getting
an "A" on an English Paper (Jack Lynch, Rutgers University
- Newark). Neither I nor your other professors will necessarily
agree with everything here; nevertheless, Lynch offers some sound general principles. See also the somewhat
stodgier Papers:
Expectations, Guidelines, Advice, and Grading by Jeannine de Lombard
and Dan White of the University of Toronto, and Lynch's own carefully
hidden section on Grades. And while you're at it, peruse "LitCrit Papers: What Faculty Know But Don't Always Articulate": Professor Marianne Ahokas is spot-on about every item on that list (as she is about so much else). I suggest you commit each bullet point to memory.
- The Bedford
Researcher (Mike Palmquist, Bedford/St. Martin's Press) includes advice on the research
process, model research papers on various topics, and links to writers'
resources and Online Writing Centers at universities around the country.
- Michael Harvey's The
Nuts and Bolts of College Writing, originally developed as an online resource, is a good basic handbook which you could easily purchase online or order from your local independent bookstore. (Is the copy you'll find at the end of the preceding link legitimate and/or authorized? Reader: I do not know.)
- The Writing Process (Overview):
- Elements of the Writing Process:
- Invention/Pre-Writing:
- The Thesis:
- The Paragraph (Purdue University OWL)
- Revising, Editing & Proofreading:
Style and Mechanics (including Citation & Documentation)
- Research
and Documentation Online (Diana Hacker, Bedford/St. Martin's Press) covers finding and documenting sources in the Humanities and other disciplines.
- If you already own a copy of the MLA Handbook (and why wouldn't you?), you probably have an access code that gets you into the online version of the English major's bible of all matters style-and-formatting. Purdue University's Online Writing Lab has its own online MLA guide.
- Grammar
and Style Notes (Jack Lynch, Rutgers University - Newark)
- Louis Menand, "The
End Matter: The Nightmare of Citation" (The New Yorker 6 October 2003). Ostensibly a review of the latest edition of the Chicago Manual of Style, this is an entertaining essay on
the maddeningly arbitrary nature of proper citation.
- Strunk's
Elements of Style (1918 edition, Bartleby.com)
- Louis Menand, "Bad
Comma: Lynne Truss's Strange Grammar" (The New Yorker
28 June 2004). What begins as a somewhat querulous review of the former best-seller
Eats, Shoots and Leaves: The Zero Tolerance Approach to Punctuation settles down into an essay about the intangibility of writerly
"voice."
General Reference
- Voice
of the Shuttle General Reference Page (Alan Liu, UCSB) includes
links to online dictionaries & thesauri, grammar & style guides,
scholarly reference guides, and guides to critical thinking.
- Bartleby.com
gives you access to a whole slew of indispensable reference books,
including the American Heritage Dictionary (and Book of English Usage),
Roget's Thesaurus, Bartlett's Quotations, the King James Bible, a
complete Shakespeare, and the CIA World Factbook.
- Oxford
English Dictionary on-line (HSU users only).
- Thinkmap's Visual Thesaurus. An extremely cool site that
lets you visualize the shades of meaning among closely related words. (Unfortunately, you only get to try it out a handful of times before they ask you to pay.)
- HSU
Library: from here you can (among other things) search the
HSU catalog, the catalogs of other libraries around the world, and
dozens of databases indexing articles in journals, magazines and newspapers.
The most useful databases for literary studies are WorldCat
(for books in other libraries) and JSTOR,
MLA
Bibliography, OmniFile,
and Project
Muse (for articles in journals). You may also wish to try Oxford Journals, Sage Journals Online, Taylor & Francis Online, ArticleFirst and/or Academic Search Premier.
Some Interesting Articles
- Adam Gopnik, "The
Double Man" (The New Yorker 23 September 2003).
What's poetry for? What's it supposed to do? Gopnik ponders
that question in the course of considering the work of W. H. Auden.
- Adam Gopnik, "Will
Power" (The New Yorker 13
September 2004). Biographical criticism--reading an author's work
as the expression of his "individual genius," or as the product of
his life and times--is generally regarded as unfashionable and unsophisticated.
But in a review of Stephen Greenblatt's new biography
of Shakespeare, Gopnik (himself a smart and sensitive critic) outlines
a subtler and more useful form of bio-crit informed by New Historicist
principles.
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