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Miscellaneous Resources for Historicizing The Catcher in the Rye.
Primary Resources (Selected Contemporary Texts):
- The Prelinger Archives. A collection of digitized ephemera: films, print pamphlets, audio files, etc., from the realms of advertising, industry, and education; now part of the collection of the Library of Congress. A few choice items:
Feel free to browse the collection for other useful items; I've barely scratched the surface. You might (for instance) try browsing "topics" (righthand column of the collection's homepage), then narrowing the date range to find other such films from the late
1940s and early 50s.
- The Literature and Culture of the American 1950s (U Penn Writing Center): A page of resources maintained by Al Filreis, Faculty Director of the Kelly Writers House at the University of Pennsylvania. The collection consists of links both to materials from the 1950s and later works of commentary and analysis about the 1950s. (I.e., both primary and secondary sources.) Especially useful to consult once you've narrowed your own focus.
- W.H. Auden, "Sigmund Freud." New Republic 6 October 1952. Among Auden's most famous works is his tribute to Freud, "In Memory of Sigmund Freud," written shortly after the death of the founder of psychoanalytic theory in 1939. In this essay, the poet ruminates on Freud's legacy (as of 1952, at least).
- Robert L. Lamborn, "Must They Be 'Crazy, Mixed-up Kids'?" New York Times 26 June 1955.
- James Stern,"Aw,
the World's a Crumby Place." New York Times 15
July 1951. One of the more famous initial (negative) reviews of Catcher,
written in a parody of Holden's narrative voice.
- Lionel Trilling, "Sex and Science: The Kinsey Report." Trilling's famous assessment of the Kinsey Report appeared in the Partisan Review in April 1948. The link brings you to an archived copy of the journal; Trilling's piece begins on page 460.
- William H. Whyte, Jr., The Organization Man. "Introduction"; "Classlessness in Suburbia." New York: Simon and Schuster, 1955. (Additional resources: Wikipedia entry on Whyte and on The Organization Man;
an overview of the "Introduction" by a perceptive blogger.)
Secondary Resources (History and Context--Some Starting Points):
- For general resources on New
Historicism, see "Weeks 10 and following: Historicizing Catcher" in the online Course Reader
- Sarah Graham, ed., "Post-War America: Society and Culture." J. D. Salinger's The Catcher in the Rye. London: Routledge, 2007.
- Sanford Pinsker, "Historical
Context." The Catcher
in the Rye: Innocence
Under Pressure. New York: Twayne, 1993.
- James Stuart
Olson, Historical
Dictionary of the 1950s. The link is to an eBook; there is also a print copy in the HSU Library's Reference Collection, call number REF E169.12 .O44 2000
- The Literature and Culture of the American 1950s (U Penn Writing Center): A page of resources maintained by Al Filreis, Faculty Director of the Kelly Writers House at the University of Pennsylvania. The collection consists of links both to materials from the 1950s and later works of commentary and analysis about the 1950s. (I.e., both primary and secondary sources.) Especially useful to consult once you've narrowed your own focus.
- Renée R. Curry, "Holden Caulfield is Not a Person of Colour." In Sarah Graham, ed., J.D. Salinger's Catcher in the Rye. London: Routledge, 2007.
- Tim Dirks, "Film
History of the 1950s" (filmsite.org/greatestfilms.org)
- Rob Latham, "1950s
Moral Panics: The Juvenile Delinquent and the Homosexual." Lecture
notes for a UC-Riverside course on "Sex
and Popular Culture in the Postwar US"; notes
for other weeks may be of interest, as well.
- Thomas Devine, Study
Questions for James Gilbert, A Cycle of Outrage (History
474B, "The United States Since 1945," CSU-Northridge)
- Craig M. Loftin, "Unacceptable Mannerisms: Gender Anxieties, Homosexual Activism, and Swish in the United States, 1945-1965." Journal of Social History 40:3 (Spring 2004). 577-596.
- Elaine Tyler May, Homeward Bound: American Families in the Cold War Era. Rev. ed. New York: Basic Books, 2008. (The link is to the HSU Library record, which includes a link to an eBook.)
- Louis Menand, "The Horror: Congress Investigates the Comics" (The New Yorker 31 March 2008). A smart review article of David Hajdu's The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America.
- Ned Vizzini, "The End of the White Outsider." The Daily Beast 25 July 2011.
- Eli Zaretsky, "Charisma or Rationalization? Domesticity and Psychoanalysis in the United States in the 1950s." Critical Inquiry 26.2 (Winter 2000): 328 - 354.
And here are a few other random links you may find useful--perhaps some of you diligent researchers have found one or more of them already already:
- (United States History) Primary Sources on the Web (EduPlace.com)
- United States in the 1950s (Wikipedia)
- Tom Englehardt, "How the Movies Saved My Life": an alternate take (to Holden's, that is) on "the movies" in postwar America. Englehardt is referring to foreign cinema of the era, which showed him, as an adolescent, an "exotic" alternative to what he conceived of as his boring, whitebread, bourgeois childhood.
Commentary, Criticism,
Critical History:
- Eric Lomazoff, "The
Praises and Criticisms of J. D. Salinger's The Catcher in the
Rye": neither a brilliant piece of scholarship
nor a model of expository prose, Lomazoff's piece--written when
he was in the 11th grade!--nevertheless gives a useful overview
(after the first five paragraphs, that is) of Catcher's
early critical reception. A
juicy quote: "It is a widespread belief that much of Holden
Caulfield's candid outlook on life reflects issues relevant to
the youth of today, and thus the novel continues to be used as
an educational resource in high schools throughout the nation (Davis
317-18)."
- Louis Menand, "Holden
at Fifty: The Catcher
in the Rye and What It Spawned" (The New Yorker 1
October 2001). "The book keeps acquiring readers...not because
kids keep discovering it but because grownups who read it when
they were kids keep getting kids to read it. This seems crucial
to making sense of its popularity. The Catcher
in the Rye is a sympathetic portrait of a boy who refuses
to be socialized which has become...a standard
instrument of socialization."
- SparkNotes.com: looking
for a good, canned interpretation of Catcher--or just something
to argue with and position yourself against (or, ahem, "spark" your
own thinking)? Spark Notes--online rival of that
bane of English teachers, Cliff's Notes--provides a decent, if somewhat
orthodox and unimaginative, critical overview. In my big-shot-Ph.D.
professional opinion, this is more reliable (and sophisticated) than
some other cheesy cheat sheats like NovelGuide, GradeSaver, or even Cliff's
Notes itself. (What? You mean you're actually familiar with such
shameful things? I'm scandalized!) Plus, it's the very
first entry you get when you Google Catcher!--how easy is
that? Just
don't plagiarize.
- And in case you were wondering: yes, I am also familiar with the Catcher guidebooks by Sarah Graham (one published by Routledge, one by Continuum). They're quite well done, and used properly, they could both be very useful. You'll find excerpts from one of them above, in fact. But again, don't plagiarize--and if you don't know what constitutes plagiarism, then don't take chances.
Miscellany:
- Robert Burns, "Comin'
Thro' the Rye" (a two-column version with the Scots English
original helpfully juxtaposed against a "standard" English
translation). Holden famously misremembers this poem, which
is basically an extended rhetorical question aimed at rationalizing
casual sex. Hmm...calling Dr. Freud: why might Holden have
(subconsciously?) transformed the poem and its message as he did?
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