Formalist Analysis Revision
If
you received a grade of B- or below you can revise and resubmit your
formalist analysis for a higher grade. But your revision should be
directed; it should be the result of a careful critique of the original
paper and a systematic approach to its revision.
To submit a paper for a revised grade, you'll need to do the following:
I. Read
over the feedback you received and look again at the grading rubric.
Use it to assess your revision needs. What needs work here?
- If your thesis and your argumentation/evidence are both in need of revising, the odds are good that you weren't entirely clear what
you were arguing about the text--that you were still in the process of
developing your ideas about the text and not quite ready to write a
full argumentative essay about it. Is your thesis vague? In what ways?
Go back to Eagleton and to the poetry cheat sheet and do more
exploratory writing about the text. Reread your draft, and then reread
the poem; what details of the poem did you ignore in your paper? Why?
What happens when you account for them now? What additional insights do
they offer? Craft a new thesis that
includes specific details about this poem--details that customize your
claim to this text, and this text only--and that make a specific claim about the poem's meaning.
- If
your thesis is reasonably sound, but the argumentation and evidence
were less successful, you may be leaving out important steps in your
reasoning about the text, assuming the reader sees what you see in the
lines. You're writing for yourself, rather than an audience. The time
that's elapsed since you wrote the paper should help; reread the draft
and look for those moments when your discussion feels shallow, when you
can't follow the reasoning that holds one sentence to the next, when
you don't fully flesh out your thinking, or when there's more to be
said about the details of the text.
- If
organization was the big issue for your paper, odds are you tried to
structure your paper around specific formal features of verse, rather
than the movement of the reader through the poem. That is, if you have
paragraphs that begin with sentences like, "Tone is an important aspect
of this poem," rather than "In the second stanza,
the speaker's tone becomes more urgent," you've likely relied on a less
effective organizational strategy. Think about how the reader
experiences the poem as they move through it, line by line, stanza by
stanza. How does the tone change? What specific details cause the tone
to change? Why does the tone change over the course of the poem? An
explication (another word for a formalist analysis) usually moves
through the text systematically. That helps prevent repetition, and it
forces you to attend to the details of each stanza or line; organizing
around formal properties can lead to vague claims about the text in
general.
II.
Determine whether you need only to expand or reorganize, or whether
your revision will be substantial enough that you're actually writing a
new draft. You miay be further ahead thinking of your paper as one more
"exploration" of the text. In that case, open a new document and start
over.
III. When you have a fairly well developed new draft, take time to gloss it.
Finally, when you proofread your paper, be sure to consult Lit Crit Papers: What Faculty Know but Don't Always Articulate.
When
you hand in your revision, you'll need to provide me with the original
paper, your notes in response to the questions, and your gloss! If you
don't, I won't read it!
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